tegan Posted July 17, 2014 My favourite thing about "Word Crimes" is that it's consistent with Weird Al's previously-established views on grammar. Share this post Link to post Share on other sites
ariskany_evan Posted July 17, 2014 (also, The Stooges' Raw Power, but that is for a different post) First things first, Funhouse is better than Raw Power. Now I guess you have to write your post. Is anyone a fan of The Grateful Dead here? I would say I'm a lapsed fan. Was VERY into them and Phish, etc about 15 years ago. My dad is a devoted Deadhead. Saw his first show in '71 and saw them over 100 times. He STILL cries about Jerry Garcia's passing. It was a huge deal for his middle-schooler son to be interested in his passion. I never got to see the Dead, but he took me to about 30 Phish shows between '96-'03. I grew disillusioned with the druggyness of the scene (not that I was a teetotaler) and my musical tastes were shifting to "cooler" things, so I moved on. Still have a soft spot for early-to-mid '70s Dead lineup (no Mickey, no Donna, just Keith). Dick's Picks 14 captures it really nicely (it's on Spotify!). When they still had a really beautiful balance between americana, acid band, and creative jamming. Share this post Link to post Share on other sites
James Posted July 17, 2014 I very much enjoyed the turn that one took in its second half. It took me a moment to work out where he was going with it. Share this post Link to post Share on other sites
tegan Posted July 17, 2014 I like the inexplicable Patton Oswalt cameo. Share this post Link to post Share on other sites
TheLastBaron Posted July 17, 2014 My middle school science teacher was really into the Dead, he was in the 100+ camp I believe. His name was Mr. Hippie as in his degree he had on the wall was made out to Paul Hippie. I recently watched a documentary on Netflix about the history and development of the glass pipe scene and basically every person they talked to originally started out by following Dead tours and selling pipes there. One thing about this Weird Al album, I've never actually heard any of the songs being parodied besides Blurred Lines and things in the polka. That doesn't mean it isn't enjoyable, but it feels weird. Share this post Link to post Share on other sites
Twig Posted July 18, 2014 Haha that's the exact same experience I'm having, Baron. Blurred Lines and some things in the polka medley. Still funny, though. The last track is especially great. Jackson Park Express. Share this post Link to post Share on other sites
Brannigan Posted July 18, 2014 Blurred Lines and Royals for me, hadn't heard much else Share this post Link to post Share on other sites
osmosisch Posted July 18, 2014 I'm running my electro-swing broadcast over on Grooveshark for anyone interested: http://grooveshark.com/#!/osmosisch/broadcast Share this post Link to post Share on other sites
N1njaSquirrel Posted July 18, 2014 I Still have a soft spot for early-to-mid '70s Dead lineup (no Mickey, no Donna, just Keith). Dick's Picks 14 captures it really nicely (it's on Spotify!). When they still had a really beautiful balance between americana, acid band, and creative jamming. Dick's picks 14 is ace. Listening to it now I really like 'The Music Never Stopped'. Conversely, I'm not such a great fan of 'Drums' and 'Dark Star' esq stuff. It's certainly the most commonly skipped song when I play the only live set I own. (Veneta, OR 8/27/72 (also on spotify)) I feel that it's probably better appreciated if you were actually there? I do appreciate it musically, just not always my cup of tea. Yeah, Donna's kinda annoying in later shows. She kinda feels like she's forced her way into the line up (she's married to Keith right?) I'm liking everyone's stories though. I have yet to meet a fan of the Grateful Dead in England yet, so I never hear of these stories. It's cool how more than one person knows of someone who have gone to 100+ shows. England doesn't have these kinda of rock fables, just mods and rockers. There are memorable gigs, but there wasn't a whole movement and community around bands like the Dead ever got. That people reminisce and romanticise this era and the shows is really cool for me. I'm running my electro-swing broadcast over on Grooveshark for anyone interested: http://grooveshark.com/#!/osmosisch/broadcast I listened! I was going to suggest Caravan Palace or Swingrower's, but I didn't want to create an account with grooveshark to do so. :S Share this post Link to post Share on other sites
osmosisch Posted July 18, 2014 Thanks I've got a bunch of Caravan Palace in the playlist, it's over here: http://grooveshark.com/#!/playlist/Swing+Dance/61215591 Additions welcome! Share this post Link to post Share on other sites
Dinosaursssssss Posted July 18, 2014 I only discovered this yesterday, so I apologize if it's actually widely known... Here is a 15 minute funk/disco medley of tunes from Star Wars. Highlights for me are Princess Leia's theme played on what sounds like a theremin, and an extended xylophone solo in the Cantina Band song. Share this post Link to post Share on other sites
Erkki Posted July 20, 2014 Mouth Silence (Mouth Sounds 2) is out http://www.neilcic.com/mouthsilence/ Share this post Link to post Share on other sites
RubixsQube Posted July 20, 2014 Mouth Sounds and Mouth Silence are a perfect expression of Humor on The Internet. They're both delightfully weird referential nonsense smoothies. You just feel gross listening to it, but you can't stop. Eventually, the entire internet will be pulled into a Niel Cicierega mashup album, and then the world around it, and eventually time and space will fold over on itself, turning and turning in the widening gyre the pokemon cannot hear the pokemon trainer things fall apart; the center cannot hold; Somebody once told me, the world was gonna roll me Share this post Link to post Share on other sites
Dinosaursssssss Posted July 21, 2014 Mouth Silence (Mouth Sounds 2) is out http://www.neilcic.com/mouthsilence/ It's been a while since I listened to the first one, but Mouth Silence strikes me as kinda bizarre in comparison. There's a lot of fun dance-y referential stuff there too, it, but I thought the Loveshack mixes and a few other spots were sorta unsettling. I don't think it's bad, just a different vibe. All that said, Mouth Silence is still great, and in particular I love Crocodile Chop (which ). Share this post Link to post Share on other sites
Bjorn Posted July 21, 2014 Okay, so I apologize if this is a derail, or puts a damper on people's enjoyment of Weird Al's new album, but I kinda hate Word Crimes. I'm a grammar Nazi, no question. My education is in journalism, and I made my living for awhile off writing and editing, it's hard not to be that way after years of dedication to the written word. But I've lost all taste for humor that depends on mastery of the English language. Between 5 and 17 percent of the population has some degree of dyslexia. It's really hard to know how many people are, because a lot of people are never tested. They learn to compensate on their own, struggle through school, cheat, skate by or drop out. Fuck, the more I think about this the angrier I am at Weird Al. Look at the fucking words he uses: MoronDumb Mouth BreatherYou write like a spasticGet out of the gene pool.Try your best to not drool. These are the kinds of words that silence people. The words that keep them from being engaged in class. That keep them off forums. That keep them from posting on Facebook. Interesting, intelligent people with something of value to say choose to stay quiet every single day because of a history of hearing words like that. My wife, my daughter and (more than likely) my father-in-law are all dyslexic. Going through junior high with a dyslexic kid is fucking heart breaking. The level of frustration, anger and humiliation she could feel just because she didn't learn like other kids. My wife doesn't like making text posts to social media because she's still self-conscious about her spelling and grammar, because every once in awhile some clever asshole just has to correct a misspelled word, or grammar, or something. Those are the kinds of things that were said to people I love, the kinds of things said to millions of people because they were born slightly different, because the written word and sound doesn't match up the same to them. It's like making fun of the kid with leg braces because he's not as fast as captain of the track team. Real fucking clever. Go ahead and make fun of the black kid for having big lips next. Maybe work in a Jewish nose joke while you're at it. I mean, those should be fair game as well, right? They were just born that way. And that's not even getting into the territory of the problems with our education system, underfunded and understaffed schools, the problems that inner city schools have, etc. Everything about grammar elitism is rooted in being shitty to other people without bothering to consider why that person is the way they are. Share this post Link to post Share on other sites
Twig Posted July 21, 2014 I think the song is great and I don't think it's fair to be angry at Weird Al for making a song mocking the degradation of language. He's not making fun of dyslexics. He's making fun of people who type "u r 2 kewl" legitimately. Though when I first heard the spastic line I knew that'd be a problem for some people, since that's apparently an offensive word in England, but in America it's not even remotely. Share this post Link to post Share on other sites
Stuart Posted July 21, 2014 There's also a whole discussion of him appropriating and repackaging songs by people of color musicians for the purpose of satire and parody, but I don't want to get into that right now and in this thread. Here's fancy schmancy Arvo Part. One of my favs! Share this post Link to post Share on other sites
Bjorn Posted July 21, 2014 I think the song is great and I don't think it's fair to be angry at Weird Al for making a song mocking the degradation of language. He's not making fun of dyslexics. He's making fun of people who type "u r 2 kewl" legitimately. He is, quite literally, making fun of dyslexics, people with other learning disabilities, people from impoverished backgrounds, etc. Regardless of what his intent was. Take a look at the lyrics, and tell me it's about making fun of the "u r 2 kewl" crowd: [intro:] Everybody shut up, WOO! Everyone listen up! Hey, hey, hey, uh Hey, hey, hey Hey, hey, hey [Verse 1:] If you can't write in the proper way If you don't know how to conjugate Maybe you flunked that class And maybe now you find That people mock you online [bridge:] Okay, now here's the deal I'll try to educate ya Gonna familiarize You with the nomenclature You'll learn the definitions Of nouns and prepositions Literacy's your mission And that's why I think it's a [Chorus:] Good time To learn some grammar Now, did I stammer Work on that grammar You should know when It's "less" or it's "fewer" Like people who were Never raised in a sewer I hate these word crimes Like I could care less That means you do care At least a little Don't be a moron You'd better slow down And use the right pronoun Show the world you're no clown Everybody wise up! [Verse 2:] Say you got an "I","T" Followed by apostrophe, "s" Now what does that mean? You would not use "it's" in this case As a possessive It's a contraction What's a contraction? Well, it's the shortening of a word, or a group of words By the omission of a sound or letter [bridge:] Okay, now here's some notes Syntax you're always mangling No "x" in "espresso" Your participle's danglin' But I don't want your drama If you really wanna Leave out that Oxford comma Just keep in mind [Chorus:] That "be", "see", "are", "you" Are words, not letters Get it together Use your spellchecker You should never Write words using numbers Unless you're seven Or your name is Prince I hate these word crimes You really need a Full time proofreader You dumb mouth-breather Well, you should hire Some cunning linguist To help you distinguish What is proper English [Verse 3:] One thing I ask of you Time to learn your homophones is past due Learn to diagram a sentence too Always say "to whom" Don't ever say "to who" And listen up when I tell you this I hope you never use quotation marks for emphasis You finished second grade I hope you can tell If you're doing good or doing well About better figure out the difference Irony is not coincidence And I thought that you'd gotten it through your skull What's figurative and what's literal Oh but, just now, you said You literally couldn't get out of bed That really makes me want to literally Smack a crowbar upside your stupid head [Chorus:] I read your e-mail It's quite apparent Your grammar's errant You're incoherent Saw your blog post It's really fantastic That was sarcastic (Oh, psych!) 'Cause you write like a spastic I hate these Word Crimes Your prose is dopey Think you should only Write in emoji Oh, you're a lost cause Go back to pre-school Get out of the gene pool Try your best to not drool [Outro:] Never mind I give up Really now I give up Hey, hey, hey Hey, hey, hey Go Away! I know that there is danger in taking parody too seriously, but I don't see any parody here. It's not parodying Blurred Lines, and Weird Al's history of having a bunch of grammar pet peeves goes back years and looks to be as much him as it is the character of Weird Al. It's the series of insults that take this from being anything remotely funny to insulting and degrading. Because that is literally what people with learning disabilities deal with throughout their lives. Share this post Link to post Share on other sites
Twig Posted July 21, 2014 I don't see what you're seeing but also I regret making my post because at its root this fucking argument - is it okay to make jokes?! - is my least favorite argument to ever have. So I'm bailing out. Feel free to be angry with him. I think the song is hilarious. Share this post Link to post Share on other sites
osmosisch Posted July 21, 2014 At its root the thing is: if you feel the song is aimed at people who are not able to language good, it's offensive and denigrating. If you feel it's aimed at people who are not willing to typ wel, it's a justifiable put-down. Share this post Link to post Share on other sites
Twig Posted July 21, 2014 Nah that's the surface argument! I like arguing about what arguments are though! Share this post Link to post Share on other sites
TheLastBaron Posted July 21, 2014 I agree that the song is in no way a parody of Blurred Lines. Share this post Link to post Share on other sites
Erkki Posted July 21, 2014 It's been a while since I listened to the first one, but Mouth Silence strikes me as kinda bizarre in comparison. There's a lot of fun dance-y referential stuff there too, it, but I thought the Loveshack mixes and a few other spots were sorta unsettling. I don't think it's bad, just a different vibe. All that said, Mouth Silence is still great, and in particular I love Crocodile Chop (which ). Yeah, Crocodile Chop is my fave. I wouldn't actually listen to most of Mouth Silence in sincerity, but I also liked the Want You Back/Pokemon thing. Here's fancy schmancy Arvo Part. One of my favs! Hehe, seeing Arvo Pärt's name spelled without the umlaut is funny (but understandable of course) because it translates to something like "Arvo the Duck" or Arvo's duck. Share this post Link to post Share on other sites