Gormongous

Phaedrus' Street Crew
  • Content count

    5553
  • Joined

  • Last visited

About Gormongous

  • Rank
    Ghost Bird

Profile Information

  • Gender
    Not Telling

Recent Profile Visitors

4042 profile views
  1. Movie/TV recommendations

    If it makes you feel better, Martin's said that the endgame that he gave to Benioff and Weiss was just one possible outcome, so any resemblance to the books that'll hopefully come out someday will probably be only passing.
  2. Weirdly, I didn't have that reaction to Deus Ex: Human Revolution, but I did to Mankind Divided. I'm not sure what the difference was: the formula getting tired with another thirty- or forty-hour game, the layout change from corridor missions linking small open-world areas to a more holistically open-world design, the incredibly dumb and obvious "ripped-from-the-headlines" themes of Mankind Divided... Whatever it was, I played through Human Revolution twice but gave up ten hours into Mankind Divided.
  3. I also bounced off of Stardew Valley, despite the farming life appealing a lot for me, but it was because I couldn't handle the combination of (perceived) time pressure and missable unlocks. I know that it's supposed to be the kind of game where you say to yourself, "Aww, I didn't manage to plant the strawberry bushes early enough! Oh well, next year," but I'm just not set up like that. Also, I found myself getting kind of annoyed that you could give a nice gift to someone and they'd feel indifferent or even negative towards you, because of a secret list of likes and dislikes for every character. I guess what I'm saying is that I'm built for more of a management sim-style farming game, but I liked the surface vibe of Stardew so much...
  4. I'll drink long and deep to that!
  5. I feel you on Dead Cells. I can appreciate the intricacy and the skill of it all, but beating a boss or getting a cool new blueprint just leaves me feeling exhausted and frustrated, not exhilarated like in Dark Souls.
  6. I bought Star Traders: Frontiers last year on the dual recommendations of Rock Paper Shotgun and Tom Chick. It is everything that they say it is: a breathtakingly vast space sim where you can do well as an illegal or legal trader, a mercenary, a diplomatic courier, a pirate, a spy, or any mix of those roles. It's got as many interlocking systems as a Paradox game and it truly does its best to let you engage with or automate them, whatever your taste is. And yet I've played over twenty hours without really clicking with it. It seems at once too deep (the reputation and character RPG systems, especially) and too shallow (you make money to make more money to make even more money). I recognize it as an objectively good game, and I keep wanting to come back to it, but I just can't connect. Have my tastes changed? Is it the presentation, which is admittedly anemic? I don't know. Do you have any games that you should like and that you keep trying to like, but just... don't?
  7. anime

    Well, after watching too many airing anime for the winter season because of holdovers from fall and two girls-in-airplanes shows, I only have one anime that I'm planning to watch this season: Sarazanmai, the new show from Kunihiko Ikuhara. Do I think it's going to be good? No, not after the unevenness of Penguindrum and the blowout that was Yurikuma Arashi. Am I going to watch it anyway to see what will be, at worst, an interesting failure by the creator of one of the greatest anime of all time? Yup.
  8. Looking for TBS recommendations

    Yes, but could you have a tactics game like XCOM where you control zero characters? I think that's the more instructive edge between the two terms.
  9. Looking for TBS recommendations

    "Maneuver" or "move," I guess?
  10. Looking for TBS recommendations

    I think the distinction between strategy and tactics is important here. Strategy is the overall plan to achieve a goal, tactics are the moment-to-moment decisions that execute that plan. I think Divinity: Original Sin 2 probably has a lot of tactics, but I can't imagine that it has that much strategy besides "go to this place and talk to/kill everyone."
  11. Looking for TBS recommendations

    The word "strategy" is clearly dead and needs to be buried.
  12. The Good Place

    Yeah, there is possibly some manner of jurisdictional convenience in having the Middle Place exist that might have lead the Bad Place to allow or enable it.
  13. This is interesting, because Creative Assembly has made it its explicit goal since Rome 2 to reduce the number of systems to onboard new players more easily. I think there's a fundamental misunderstanding there, because fewer systems doesn't always mean less complexity and, often, the increased level of abstraction results in large, important systems that are very difficult to take in at a glance. Rome 2's weird, hyper-abstracted family trees at launch are a good example, they're simpler but so much less intuitive (because people know how family trees work but not vague "buckets" of individuals). I don't know, I keep hoping that Creative Assembly gets better at UX and systems interoperability, but I don't think that they actually need to because, like Bethesda and its games, they occupy their own subgenre with a loyal community of modders who'll fix all their oversights and mistakes.
  14. I agree with everything here. There's no character that functions as a moral center in Mad Men (or, rather, the moral center shifts from episode to episode as different characters have bad and good moments). I enjoy that the show is full of characters who are complicated and well-realized but deeply flawed and heavily implicated by the times in which they live, but I can understand someone else not valuing that too much. What condemnations of bigoted or regressive behavior do happen in Mad Men often come from people who are definitely not above it all in any way shape or form, like when world-class fink Pete Campbell blasts Harry Crane for being annoyed by all the coverage of MLK's death (offending Bert Cooper in the process). I do think that Mad Men doesn't endorse alcoholism and sexism any more than The Sopranos endorses being a mobster and killing people, but it's very unblinking in how it depicts the biases and failings of mid-century America as simple facts of life back then and expects you to care about characters up to their necks in them (even if, deep down, they fundamentally suck, like Don Draper does).
  15. Books, books, books...

    I have a friend teaching a history class with a vocal proponent of Peterson among the students and, even before he declared that 12 Rules for Life was his favorite book, he was really easy for her to clock. All of his fans, but especially the younger ones, seem to have these short but highly generalized and discursive scripts that they've internalized from his books and videos, usually about "feminine chaos" and "masculine order" and myth this and Western that. If you ever manage to get them off such a script, they'll throw around those buzzwords until you take the bait and then they can pivot back onto another one they've got ready. It's really tedious and anti-intellectual, which is rich when Peterson's held up as the thinking man's... well, everything. If anyone's reading this and want a good critique of Peterson, the article in Current Affairs is excellent, as is anything written by Paul Thagard on Psychology Today.