Blambo

Does anyone have an insight into what the anime business is like nowadays? It just seems like an incredible risk to create something that costs so much for essentially the same audience that reads manga (which seems way cheaper and more sustainable). I see that a lot of shortcuts and techniques used to cut costs, but creating animation at the industry nowadays still seems prohibitively expensive, with the preference for traditional animation not really scaling with new tech developments. Not only that but I see a lot of anime that's actually very risky and diverse in subject matter because it's based on manga. I guess there's the guarantee of an audience?

My favorite thing about primape is that it's just a mankey who trained so fucking hard that it needs to wear handicap weights and boxing gloves for fights to be fair.

I met a cosplayer at my local mall recently. I recognized the costume so we talked for a bit, and he seemed like a nice guy. I don't know if this makes me a bad person or not, but there was something about the way he talked about things that made me really really not want to associate with him. As far as I could gather, he and a couple friends were at the mall doing some kind of stunt to show off their costumes like in some kind of public inside joke, and that really ticked me off for some reason. I don't know anything about this person's life or background, but I immediately assumed that he got some kind of sense of exclusivity and superiority for following a relatively esoteric subculture. We talked about hobbies and games, each topic of which he seemed a little too serious and a little too uppity about, like regulations in trading card games and western treatment of eastern culture and how it's viewed as nerdy. The latter topic felt rather uncomfortable as I was there as an east asian person eventually talking about cultural appropriation with a white person dressed in a half kimono. I have nothing against anime and manga specifically, but this was a particularly negative interaction I had with someone who seemed to enjoy these things as an integral part of his identity, pushed away from superiority in conventional society creating his own sense of competency in a made up arena. I dunno. It's just a vague sense I get from otaku culture, that this kind of obsessive interest is simultaneously a convenient distraction from and exacerbation of pressures from society, and an identity made in bad faith. Am I a bad person for assuming all of these things just from an uncomfortable 20 minute conversation?

Recently I've been wondering why noodles came into existence. They're kind of cumbersome to eat, you can't easily consume them with your hands, they're not really a mobile kind of food. I guess possibly because slicing up/stretching out dough increases the surface area for boiling and has consistent cooking?

It's good that Koibuchi is developed to be a kind of comedically pathetic guy though. Come to think of it, besides Kuranosuke the male characters in the show are either hilariously inept or shown to be kind dicks. Also I read the "epiphany" as Inari realizing that her tactics and lifestyle affect other people emotionally. To me she kind of represented the more sinister side of playing along with society's expectations, in that it can turn you into a sociopathic jerk with self esteem problems. I see that less as a weakness inherent in the gender of the character (as this trope is often baked into a character being an attractive woman, ie "all attractive women are vain") and more in how she operates in a power structure stacked the way it is, if only because the show shows the polar opposite of this situation manifested in the sisterhood. Anyway if that was the case it wasn't indicated obviously enough for me to remember any details surrounding it. Not to scare you off of the show, but I had the same kind of disappointment in Samurai Champloo as I had in Princess Jellyfish concerning anime character conventions and plots. I expected that the lush animation, interesting setting, and unique art direction indicated that it was a little different in the story department but it's kind of just...well it has a shonen target audience. Not that such an expectation is sane at all (it's an anime about swordfightin') but just in case you're as snobby as I am, don't expect it to be revolutionary. Also not to say that I hate nonsense shonen anime. I've been watching Gintama and it has moments of comedic genius couched in really unironically dumb stories and characters. But it's stupid to expect anything different when it seems to sell the comedy part a lot more than the latter part and seems to realize that the shonen plot twists and cool action are there to sell to the base. Stuff I finished recently: 1. Lucky Star 2. Azumanga Daioh 3. Paranoia Agent 4. Level E 5. Gekkan Shoujo Nozaki-kun

I pronounce any G that exists in an acronym softly.

I'm in the camp where the idea is that it's not even something we can prove or disprove if it's something that's supposed to exist outside the scope of our perception, so "agnostic". Maybe I'm wrong to think that not having proof a thing existing doesn't disprove it? I guess I like to think that this thinking leaves my mind open, but I end up leading a pretty "atheist" life regardless. EDIT: my Christian friend says that the religion he believes in doesn't hinge on the existence of God but the behavior that results from believing in it. He says that intellectually he's agnostic, and is of the mind that God's existence isn't something anyone can ever prove or disprove, so it's pointless to try empirically, so you might as well trick yourself into believing in something because there's a net benefit.

I feel like a lot of people I know who identify as atheist fit more into the "strong agnostic" thing. I do too, but it leads me to live a life essentially indistinguishable from an atheist's. Also I think the psychological aspects of "religiosity" are widely accepted and practiced, even if it's not attached to a concrete religion. Something about recognizing your own subjectivity and respecting the presence of greater truths is kind of religious.

I'm kind of wondering how total biscuit would stand if he didn't feel like he has to grandstand in front of a million duckweeds.

Ahh I recently watched that. I'm kinda mixed on it. I feel like only trying halfway to escape from anime character tropes is working against it. The character designs are interesting and visually portray women as actual people with different body shapes and features, but the actual characters are really one dimensional. Maybe it's just me but it feels less dissonant for series to have totally idealized designs and bland personalities because you go in expecting trashy flatness. Having one without the other feels kind of weird. Another thing was its portrayal of obsessions and obscure hobbies as all encompassing personality engulfers is weird to me and leads to some cheap jokes and flat characters, and kind of made things boring and unsubtle. Though anyway I like that kuranosuke is portrayed as a well adjusted, though kind of boisterous, guy. The jokey parts that focus on his crossdressing seem to highlight differences and prejudices in the other characters rather than forcing a sense of abnormality on him. I also liked that he isn't portrayed as especially flamboyant or campy (his personality seems really "shounen" compared to some of the other male characters). So I feel like the cross dressing isn't the main part of his character and is quite gracefully portrayed as a thing that's not a problem within him but a problem other characters might have with him. It doesn't go too deep into the subject though, which I think is fine, mostly because the character itself is not intended to be a transgendered person (I think he established in the second episode that he just likes to wear women's clothing, and that he's not a "boy who wants to be a girl"). The focus is less on his internal landscape and more how he's treated by his family and peers. Unrelated thing I liked about this anime: if I read it right, the theme of overcoming uncomfortableness with society's expectations of beauty and turning it around to work in your favor is really really positive and optimistic. It was cool to see that in an anime.

I just completed Lucky Star. It's basically impossible for me to get any of the references but that was cushioned by the quality of the animation and overall mindlessness of some of the humor. I've basically given up on sticking to "smart" series (part of an overall push to stop being a smug dick) and have been consuming anime designed to be pure entertainment. Gintama so far is pretty great.

Haha the part in the beginning with Jake alone made me notice how weird the meter of his voice sounds without intermittent laughter in the background.

Merry Christmas! I'm not actually home right now so I can't post pictures but I got a cool set of space/california paraphernalia and a sweet board for fiddling around on. I'll post my finished project when I find the schematic. Awesome, nerdy Santa (god I'm sorry I don't know your username)!

My package came on my birthday! Also: I feel bad because the package I sent out is incredibly impersonal...I didn't even attach a card or wrap it due to forgetfulness and an envelope shortage. I hope it's cool!

I'm two episodes into Paranoia Agent and so far it's absolutely incredible. I hope that the plot continues to be segmented as character studies because so far it really takes advantage of the episodic format of TV shows, packing an amazing amount of detail and attention to the psyche of the subject through really simple, meaningful mechanics. I understand that the director, Satoshi Kon, has a reputation as a master editor and cinematographer in feature length anime films and I really look forward to seeing his work in a TV format. Edit: Just finished it. Damn it's good. I can't really say anything intelligent about it yet cause I'm still sifting through it in my head. Has anyone else seen it? After something as dense and thoughtful as that I needed a break so I started Lucky Star. So far it feels super inane; if the rest of the series is anything like what I've seen so far, which was the five minute dialogue about the idiosyncrasies of eating desserts, I probably won't be able to see the appeal beyond the base moe thing.

I was talking to a friend who is really into music cultures and genres about gamergate. He, while understanding how crappy and harmful the culture surrounding the movement is and was, places a special importance in preserving subcultures and communities that form "scenes" that produce unique identities and aesthetics. He likened the archetypal "broshooter" game to some kind of viking metal genre that I can't actually remember in that it's something that emerged from a very exclusive culture but left an artifact of something that's unique and interesting in terms of its cultural heritage and aesthetic. This caused him to empathize a little with what evidently gamergate is about, which is preserving an aesthetic of the "gamer" subculture by any means (even though doing so reveals inherent, deliberate prejudices and toxic interactions in the culture). He argues that gaters don't feel like they're actively excluding anyone because they're preserving their culture, and that the culture should be allowed to exist even if it's harmful to society at large or is exclusive, simply because it's an artifact of humanity. Also there's a present idea that social activism will hamfistedly force diversity into this subculture, which will inherently destroy it because its aesthetic is built upon exclusiveness. I guess the correct response is that this subculture can be allowed to exist but it shouldn't encompass the entire medium, and that the aesthetics created by this kind of subculture can be abstracted and made more inclusive without destroying its heart (metal can be aggressive and hardcore without being just for men) but I was wondering what people here thought.

hahahhaaahhhhaaa hhhaa...hahaha HAHAHAA heh eheheh hehehe HAHAHAHAAHAHAHA hrrshhhhahhahah...ha..heh..hrehhh...

I think her head got smaller/less anime

I just finished Nijigahara Hologram. It was incredibly opaque and I'll definitely have to read it once again just to understand how the plot went down, but I have a feeling it'll be worth it.

Actually the reason why I haven't cut it yet is because it grows back really quickly and I no longer own shears. Seems futile. I'm not sure how hair works but combing, shampooing, and buzz cuts always end up with the same result in about two weeks.

I have really dry, curly hair for a Chinese person due to genetics and pool water chlorine. For a few years I suppressed it by using an insane amount of conditioner and keeping it very short. Recently however, I've been neglecting it and its grown into a form that consists of a thick bush on top and upward curling wolverine wings on the sides. It's really distressing every time I look in the mirror because for years I've internalized myself as a "normal looking dude" and the Einstein hair is making me doubt my own identity.

Man it's great that that's not the only self inflicted German suplex in the series.

Whoa hey same with me but that's balanced out by the other half of my followers that are idiots from TiGSource and bots. I've been trying kind of hard to duck out of using twitter for a while, cause it always felt like I had nothing I particularly wanted to say while really wanting to communicate with people.

Nothing actual gamey to share, just basking in this momentous victory.

Haha