MaxOpower

Hey I'm interested in working on whatever. I do art, mostly physical stuff not very suited for video games. But I also do some pixel art stuff and light animation. I have worked with a friend on some smaller projects in the past, but nothing worth mentioning. I'm on my phone, but I have attached some things laying around. http://38.media.tumblr.com/2f076e1aca650db61edccbb7e6aed975/tumblr_n3cr0oymAv1t0hkgeo1_400.gif http://38.media.tumblr.com/729f6e75346460beafbf3eb0a8382cdc/tumblr_n3bexedVfv1t0hkgeo1_100.gif http://33.media.tumblr.com/9bad4efebe07d7091db5d7b224e5d7e5/tumblr_n3bewxaxfx1t0hkgeo1_100.gif

Some loose notes. I wouldn't say I went in cold watching this episode, but "The One-Armed Man" always puts a damper on things. But man this episode is great. I especially appreciate the many, and pretty inventive shoots this episode uses. It's not as bad as the awkward tilted Noir angels from the end of the last episode, instead it's just really playful. The TWO separate Rushmore like silhouette shoots of first: Cooper, Truman, and Hawk at Jacques place. And then the one before the cabin with: Cooper, Truman, Hawk and Hayward. I also loved the slow panning shoot in the diner that goes from Donna, James and Madeline, to the carry coke, then goes a booth back, and spins CCW 90 degree, and ends with Hank and his dumb domino on the right side, and the three teenagers on the left side, leaving the RR diner. Finally the fast cut, semi montage, of Cooper, Truman, and Hawk connecting the dots and unveiling evidence upon evidence in the cabin. This show is so great at building up moments, that explode in sudden realizations, yet still leaves you puzzled and intrigued. --- Not a lot of Major Briggs in this episode, but I really love his few seconds at dr. Jacoby office. At first glance, he's sauce a classic conservative military man. Someone that dose not appreciate "shrinks". At the same time he seems kind of annoyed at the prospect of leaving the office. He doesn't seem forced into the situation, rather it seems that he might have been the one that suggest the family went to counsel. --- Something that always really bugs me watching this episode. Is the giant glass of carry coke Maddy orders. And then NEVER EVEN LOOKS AT. I'm not even really sure what that meeting is suppose to suggest, beyond the obvious, that the three of them are now a team. Why is James sent away to get the glass, it's not like Donna is telling Maddy anything James can't know about. Why do they both trust Maddy at first glance. I'm not suggesting she isn't to be trusted. Be Donna has barley meat Maddy at this point, before telling her all kind of stuff. And lastly, why are they in such a hurry. They haven't been sitting for a full minute, before storming out of the door again. --- I feel like I get the Norwegian X Swede joke. Scandinavian countries are in American eyes socialist states, yet they are all monarchies. , Two things that usually doesn't go well hand in hand. That I get, but I don't see how it's funny in the least. Slightly ironic maybe, but hardly joke materiel. Is it meant as a dumb joke, or am I misunderstanding something? --- I'm not sure if this was brought up last time as well. But Lynch is not just a fan of coffee, he has his own coffee label. Though it was worth mentioning. --- That got kind of long, and I probarly spelled it all wrong, I apologies.