Nachimir

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Posts posted by Nachimir


  1. I'm the same as Bjorn in terms of what kind of athiest I am, and lump things like belief in karma with faith in gods.

     

    As a concept I think spirituality is irrevocably tied to religious ideas, at least for our generations. The closest I get to spiritual experience (and was as close as I got while I was religious, nothing has changed in this respect) is something I'd describe as profound aesthetic experience that can be brought on by (for instance) music, dancing, snowboarding, and staring at a Rothko painting.


  2. I might have picked up the recommendation to read Blindsight by Peter Watts here, I see it's been mentioned in a few threads. I read it in a couple of sittings yesterday.

     

    It's billed as hard science fiction, which I quite like, but there are a few clumsy diversions that seem like he's regurgitating something he read in Scientific American (the acknowledgements make very clear he put a lot more research effort in than that though), and it's obvious he puts a lot of trust in evolutionary psychology which, while it has a lot of defenders, is often speculative. All of those were quite small things though compared to a fascinating central premise that doesn't become obvious until quite far in:

     

    That the universe it teeming with life, that it's much smarter than us, but none of it is sentient and consciousness is essentially a parasite.

     

    I've absorbed a lot of science fiction, but that idea was entirely new to me and an interesting take on the Fermi paradox.


  3. Tegs, Grayson, sorry to hear that. I hope things pick up for both of you real quick. Christmas and New Year are fucking tough for people in situations like yours, and I don't feel I can help much, but I'm glad you both post here.

     

     

    All the really influential atheists from my formative years seem to have gradually disclosed just how kind of terrible they are.  Maher was a breath of fresh air to a dumb teenager 20 years ago, but I haven't really been able to stand him for awhile now. 

     

    I was really excited when Dawkin's series on religion was announced. Then I watched and realised he's a smug ass who can't keep his cool or make coherent arguments when put in the same room as someone religious, but somehow sees his own performance as triumphant. I hate campaigning atheists now, they're as dogmatic as any asshole I ever debated scripture with.

     

    I went to a local sceptics meetup once too, and it was just a bunch of self-contratulatory sniping at people who believe in mysticism/spirituality/religion/etc. I'm an atheist but man, fuck people who draw large parts of their identity and purpose from it. I'm pretty sure a lot of them are reproducing all the worst parts of the things they claim to oppose while actively corroding their own capacities for empathy and compassion.


  4. I lost a friend this year, partially because of a "gender is really complicated" conversation that made him visibly uncomfortable. His entire stance seemed to boil down to uncertainty and discomfort coupled with "but that'll fuck up sports". It's weird to occasionally find these people in my circles of friends and realise they're probably the reactionary assholes of tomorrow.

     

    I really hope that if one thing comes from Leelah's death it's greater awareness of trans issues. It's easy to not look past my own anger at religious parents mashing their kids into various molds, but trans issues are so much wider and more pervasive than such clear cut antagonism. The microcosm Leelah had to live through isn't just a thing specific to fundy religious families; those attitudes exist in much more widespread places among people who consider themselves tolerant, liberal, progressive even. Trans and poor people seem to be the last groups left whom it's socially acceptable to punch down at or erase, and one day that'll look exactly like all the casual racism and homophobia of the 80's does now.


  5. Has anyone mentioned the new VAT rules in the EU yet? There are loads of indie game/thing creators taking their things down tomorrow since the amount of admin and money it'll take to comply outstrip the money they make. I ignored when I first heard about it a few months ago, because it sounded like typical anti-EU nonsense that would be explained, but no. Even this anti-EU source has it pretty much correct. The law was changed to make big companies like Amazon and eBay stop dodging higher VAT rates. In practice, it's going to hamper independents and drive more trade to bigger players just like them.

     

    Basically: VAT will be charged on digital goods and services according to the location of the buyer, and sellers have to collect proof of that location and pay the VAT. While the UK have set up a kind of centralised clearing house for this, it's still onerous for any small traders, as the UK exempts companies from VAT registration below a threshold turnover of about £80,000. The new EU law has no lower threshold, so suddenly those UK companies have to stop trading or take on the extra admin and expense of registering for and reporting VAT in the UK and EU.

     

    Bandcamp have stepped in to handle it for musicians:

    http://blog.bandcamp.com/2014/12/30/eu-digital-vat-changes-and-bandcamp/

     

    Hopefully places like itch.io will be able do this for game creators too. In the past week, game designers I know have been variously planning to take their stuff down, make it free or ignore the law and hope no one notices because it's ridiculous.


  6. Whoa, I had a car accident this Saturday

     

    Oh, that really sucks Rodi, but I'm glad you and your girlfriend are okay.

    I've had a similar crash into a ditch after hitting a patch of diesel fuel at night; when something like that takes the car there's not much you can do.


  7. The police shot and killed another black teenager, Antonio Martin, two miles from Ferguson last night. Eyewitnesses describe how he was breathing after he'd been shot but was left to die on the ground for half an hour with no medical attention. He's already being smeared by the media as a gun toting monster. Lots on Twitter:

    https://twitter.com/hashtag/AntonioMartin?src=hash

     

    About a week ago, at a Police charity event in LA the guests all sang a racist song crowing over the death of Michael Brown. The venue condemned it, and the organising officer defended it by saying "This is America".


  8. Those are among that same category as other things I've tried to find out without much success, and when you get to the bottom of it it's usually just "LOL JOKES" anyway. Someone suggested a few months back that I was in a good position to write a kind of ethnography of GG, and for a while their behaviour was interesting, but I really can't be arsed tracing the provenance of bullshit internet things when the answers are always the same.

     

    Also it's sometimes kind of like the extremes of the political spectrum, when if you go far enough in one direction spacetime just folds in on itself and ends up with a bunch of shitty people with really extreme (but sometimes paradoxically opposing) views set apart by increasingly small margins, continuously sympathising with each other and occasionally fighting.


  9. 1. You easily get into a rut of comparing profiles and making lists about what you want out of a partner. It's not only easy to start hiding behind those lists, often you don't really know what you want and what you respond to. Which is to say; those lists present an idealized version of what you think you want out of someone, but your heart might decide a totally different way.

    2. When it comes to flirting, a big part of it is the playful tension where you give each other hints and, well, flirt, while it's not yet outspoken that you're interested in each other. It's so much harder to flirt when your cards are on the table. With online dating, it's out there: both parties know they want something out of the other, and that makes flirting kind of awkward, I found. You feel so goddamn obvious.

    That's not a big knock on it, I think online dating's a great way to meet people, but it's also different and you have to accept that.

     

    This is extraordinarily close to my thoughts on it. I find the things people typically write for an online dating profile tell me very little about how I'll feel about them. Also that exchange of hints and looks and seeing how people react that's totally missing from online dating is a thing I really enjoy. All of the mechanical ways that dating sites have invented to try and reproduce it are so far removed from the actual behaviour that they end up meaning very little.

     

    I've never understood the thing people have about online dating being something shameful. I used to think it was just a weird generational thing, and maybe it is, but I've seen it in people younger than me too.


  10. Favourite Album:

    88:88 - Makeup and Vanity Set (Which I'm sneaking into this thread because I added it 363 days ago)
     
    Runners up:
    Run The Jewels 2
    FRACT OST - Mogi Grumbles
     
    Favourite song:
    2 is 8 - LONE:
     
    Runners up:
    (Which for some reason always makes me think about
    )
     
     
     
    Most played:
     
    Dunno how to feel about that. It's far from my favourite track this year, but I like it as a pick me up. From the same album, I really, really like For by Nils Frahm.
     
    The album is Erased Tapes Collection IV, and I found that there were always tracks on it that slowly encroached on my brain and eventually registered as annoyance. I think it was only on the fifth or sixth listen I realised they were all the songs and remixes by Rival Consoles, who I then sought out and confirmed that, yes, I hate his work and unlike most music it has a way of prfoundly annoying me. I then found his official artist bio, which talks about how he shares a house in London with some really good other composers <-- yeah, great, well done :tup:. I deleted all of his tracks and think it's a much better album for it. His songs seem to play around with dubstep sounds in a half arsed way that pales next to stuff I was listening and dancing to six years ago. Anyway, I don't mean to unreccomend the album, it has Nils Frahm, Peter Broderick, Ólafur Arnalds and A Winged Victory For The Sullen on it and their stuff is really great.

  11. Weren't there some people here praising Under the Skin awhile back?  Can someone explain to me why they liked it, because I'm at a complete loss after watching it (and I've lost my movie picking privileges for a couple of weeks). 

     

    I knew nothing about it in advance. I really enjoyed the slow burn, the

     

    WTF reveal, and its attempt to get inside an alien psychology. Kind of like getting inside the mind of a cat or something.

     

    It surprised me that I liked it, because I absolutely hate use of symbolism on centre stage for art/film/etc, but that's how I interpreted

     

    the men wading into oil. It's symbolic of them being seduced, getting sucked in and destroyed by this thing, whatever it is, that consumes them. Ultimately it's a bleak story that leaves a lot unexplained, and I like that a lot. As horror stories go, it's not a particularly original one, but I love the way it's told. It tells the story through mundane feeling everyday events and places, without needing jump moments or a sudden insect face or SURPRISE DEMONIC VAGINA! It's not important what exactly the creature is or how exactly it kills. The focus is on what leads victims there, rather than what happens to them. The section of plot with her running away from the other creature serves just enough to illustrate that they have motives beyond killing and eating, without laying their psychology bare. It's the social horror of mundane conversations and everyday desire treading a path straight to death's door, and a repeated situation that outwardly looks plausible but has all kinds of little things wrong with it. It does a really fucking good job of using all of that to tell a horror story while getting away from some typical horror tropes.

     

    But I can see how it's an acquired taste. I liked Upstream Colour and Stalker for similar reasons.

     

    It's also interesting film making because:

     

    Johannson drove the van around with the director in the back, picking up strangers on the streets and improvising conversations with them. Only later was it revealed to them what was going on, and not many people in the film are actors. They're all men who were willing to get into that van with a stranger. The disfigured one later coached Johannson on things she could say to seduce a man with a condition like his.


  12. nobody is actually going to call me doctor anyway

     

    Some will, but at least they won't go "Are you… doctor Qube?" just because you're a woman, then seem reassured when they ask you if you're a medical doctor and you reply no. Which happens to at least one friend of mine with a PhD.


  13. I think the only way to solve this is to produce a very high quality, HD video several hours long of him doing this, then force him to watch it while hungover. Like that bit in A Clockwork Orange.